Fiona M Palmer

Fiona's most recent monograph is Conductors in Britain c. 1870–1914: Wielding the Baton at the Height of Empire (Woodbridge: Boydell Press, 2017).  This book contextualizes and reconsiders the emergence and reception of the role of conductor in the late Victorian age. It examines evolving institutional and professional opportunities during this dynamic period. The conductors at the heart of this re-evaluation include Julius Benedict, William Cusins, Arthur Sullivan, Joseph Barnby, Alexander C. Mackenzie, Frederic H. Cowen, Dan Godfrey Jr and Landon Ronald. Their varying experiences, contributions, networks and opportunities combine to reflect the progress of the emerging conducting profession. This large project draws on detailed research into British concert-life and sheds new light on the histories of organizations such as the Philharmonic Society of London, the Liverpool Philharmonic Society, Manchester's Hallé Orchestra, the Bournemouth Municipal Orchestra, the Royal Choral Society, Birmingham Promenade Concerts and music festivals nationwide.    

Fiona’s previous books include: Vincent Novello (1781–1861): Music for the Masses (Aldershot: Ashgate, 2006) — the first large-scale contextualized reappraisal of the career of the pioneering London-based editor and publisher. This monograph complements her earlier book which repositioned one of the most influential, well-connected and successful virtuosi in nineteenth-century London: Dragonetti in England (1794–1846): the Career of a Double Bass Virtuoso (Oxford University Press, 1997). 

Other Research Outputs
Chapters currently in the press include an evaluation of the 1831 Dublin Music Festival through the papers of Sir George Smart (Irish Musical Studies 12, 2018). Other recent publications include: a detailed analysis and contextualization of the socio-economic and professional underpinnings of the Liverpool Philharmonic Society’s development in the mid-19th-century (New York: OUP, 2018); an interrogation of the value and exploitation of pedigree, networks and marketing in the careers of conductors in 19th-century Britain (Woodbridge: Boydell Press, 2016); an appraisal of the role of Handel’s Messiah in 19th-century Britain in relation to wider European nationalism and choral power (Leiden: Brill, 2015); and a contextualization of the Liverpool Philharmonic Society's conductors in the second half of the nineteenth century (Turnhout: Brepols, 2014). 

A chapter examining the inauguration of the Liverpool Philharmonic Society's Hall (1849): 'A Home for the 'Phil': Liverpool's First Philharmonic Hall (1849)' appeared in P. Rodmell ed., Music and Institutions in Nineteenth-Century Britain (Ashgate, 2012). Other published articles and reviews can be found in the Journal of the Royal Musical Association; 19th-Century British Music Studies 3; The Musical Times; The Strad; Muzio Clementi: Studies & Prospects; Early Music; the Journal of the Society for Musicology in Ireland; and the newsletters of the North American British Music Studies Association and of the Handel Society.  Fiona has written and revised entries for New Grove 2; the New Dictionary of National Biography; Musik in Geschichte und Gegenwart; the Dictionary of Hymnology; the Encyclopaedia of Music in Ireland; and the Encyclopaedia of Romantic Nationalism in Europe. 

Recent and forthcoming international conference papers and invited lectures include locations such as Finland, the USA, Italy, Croatia, Oxford, Liverpool, London, Bristol, Birmingham, Cardiff and Cambridge.  

Outreach
Fiona currently serves on the Board of the National Youth Orchestra of Ireland (2007—); and as External Examiner for the BA Music programme at Liverpool Hope University (2015-19). Formerly a Councillor of the Royal Musical Association (2002–05), Fiona was an elected Councillor of the Society for Musicology in Ireland for three consecutive terms (2006-15); she also served on the Development Committee of the North American British Music Studies Association (2016–18). Fiona has chaired for HETAC and participated in inter-institutional curricular discussions; she also chaired the finals of the Catherine Judge Memorial Award (2014; 2015). She previously served as an external examiner for programmes at the Royal College of Music and at Dundalk Institute of Technology, and for doctoral dissertations at the Universities of Melbourne; Leeds; Canterbury Christchurch College; Edinburgh; Queen’s University Belfast; the Royal College of Music; and the Royal Northern College of Music. She has contributed to radio documentaries and discussions on Bayerische Rundfunk Klassik; BBC Radio Ulster; RTÉ Radio 1; and RTÉ Lyric FM; she also served as an adjudicator and chair for the televised UTV Choir of the Year competition. Fiona is a member of the International Advisory Board for the Royal Musical Association Research Chronicle, serves on the editorial board of the OJBR and and acts as a peer reviewer for a number of publishers.

Memberships
Royal Musical Association; American Musicological Society; North American British Music Studies Association; Society for Musicology in Ireland

Performing Activities
Fiona was very lucky to be trained via the Northamptonshire Music Service from a young age and participated in multiple ensembles, recitals, international tours and residential courses.  As a first-class graduate of the Birmingham Conservatoire, with double bass as her first study, she freelanced with many ensembles, especially the City of Birmingham Symphony Orchestra (1989–1997).  During these years the CBSO enjoyed the stewardship of Sir Simon Rattle and Fiona was involved with recordings under the direction of such maestri as Walter Weller and Paarvo Jaervi; she also spent some time as a member of New Zealand’s Auckland Philharmonia Orchestra.  

Synopsis of Training and Employment
Fiona undertook her doctoral research at Birmingham University (1990–93) where she was fortunate to enjoy the mentorship of Professor Cyril Ehrlich alongside supervision from Professors Basil Deane and Colin Timms. She was Manager of the Examinations Department at the Associated Board of the Royal Schools of Music in London (1997–99). During this time she project-managed the ground-breaking Diploma 2000 Syllabus and liaised with educational agencies (such as the QCA) over matters of comparability. In July 1999 she moved to Northern Ireland to work at Queen's University in Belfast and was promoted to Senior Lecturer in 2002. During her eight years at QUB she transformed the Performance Programme, convened the BMus degree, taught modules across the curriculum (undergraduate and postgraduate) and served on committees at School, University and national level. She also regularly played the double bass on a freelance basis with the Ulster Orchestra, travelling with them to New York and to perform at the BBC London Promenade Concerts.