Dr Estelle Murphy

Lecturer / Assistant Professor
Biography
Research Interests
Books
Year | Publication | |
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2023 | 'To Speak its Share of Public Joy': The Musical Ode from 1660 to 1779.
Estelle Murphy (2023) 'To Speak its Share of Public Joy': The Musical Ode from 1660 to 1779. Suffolk: Boydell & Brewer. [Details] |
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2021 | John Eccles, Incidental Music Part 2, Plays H-P, The Works of John Eccles.
Estelle Murphy (2021) John Eccles, Incidental Music Part 2, Plays H-P, The Works of John Eccles. Wisconsin: A-R Editions, Inc. [Details] |
Book Chapters
Year | Publication | |
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2021 | 'Ceremonial Song in Eighteenth-Century Dublin: Cousser’s and Dubourg’s Odes and Serenatas'
Estelle Murpy (2021) 'Ceremonial Song in Eighteenth-Century Dublin: Cousser’s and Dubourg’s Odes and Serenatas' In: Moyra Haslett, Conor Caldwell, Lillis O Laoire (eds). The Oxford Handbook of Irish Song, 1100-1850. New York: Oxford University Press. [DOI] [Details] |
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2014 | ''Sing Great Anna's Matchless Name': Images of Queen Anne in the Court Ode'
Estelle Murphy (2014) ''Sing Great Anna's Matchless Name': Images of Queen Anne in the Court Ode' In: Cedric D. Reverand (eds). Queen Anne and the Arts. Maryland: Buckle University Press. [full-text] [Details] |
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2013 | 'Articles: Arrigoni, Carlo ('Signor') and Arigoni, Ferdinando; Catch and Glee Clubs; Crow Street Music Hall; O'Connor, Dermot; Pinto, Thomas; Scarlatti, Francesco; Smock Alley Theatre'
Estelle Murphy (2013) 'Articles: Arrigoni, Carlo ('Signor') and Arigoni, Ferdinando; Catch and Glee Clubs; Crow Street Music Hall; O'Connor, Dermot; Pinto, Thomas; Scarlatti, Francesco; Smock Alley Theatre' In: Barra Boydell & Harry White (eds). Encyclopaedia of Music in Ireland. Dublin: UCD Press. [Details] |
Peer Reviewed Journals
Year | Publication | |
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2017 | '‘Liveridge is in Ireland’: Richard Leveridge and the Earliest Surviving Dublin Birthday Odes'
Estelle Murphy (2017) '‘Liveridge is in Ireland’: Richard Leveridge and the Earliest Surviving Dublin Birthday Odes'. MUSIC AND LETTERS, 98 (1):32-73 [DOI] [full-text] [Details] |
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2014 | 'REVIEW: JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON The Harmonious Society of Tickle-Fiddle Gentlemen / Robert Rawson Ramée RAM 1109, 2012; one disc, 59 minutes'
Estelle Murphy (2014) 'REVIEW: JOHANN CHRISTOPH PEPUSCH CONCERTOS AND OVERTURES FOR LONDON The Harmonious Society of Tickle-Fiddle Gentlemen / Robert Rawson Ramée RAM 1109, 2012; one disc, 59 minutes'. Eighteenth-Century Music, 11 (2):312-314 [full-text] [Details] |
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2008 | 'A Forum for the Practice of Musicology in Ireland'
Co-authored with Helen Gubbins, Sarah O'Halloran, Daithí Kearney, Anna M. Dore, Emily Magner, Estelle Murphy (2008) 'A Forum for the Practice of Musicology in Ireland'. British Postgraduate Musicology, 9 [full-text] [Details] |
Other Journals
Year | Publication | |
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2023 | 'Matthew Dubourg’s Violin Concerto: A Case of Mistaken Identity'
Estelle Murphy (2023) 'Matthew Dubourg’s Violin Concerto: A Case of Mistaken Identity' Handel Institute Newsletter, . [Details] |
Conference Contributions
Year | Publication | |
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2022 | John Walsh and the Music Trade in Dublin and Ireland.
Estelle Murphy (2022) John Walsh and the Music Trade in Dublin and Ireland. [Invited Oral Presentation], Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century, Greifswald, Germany , 25-OCT-22 - 27-OCT-22 [Details] |
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2022 | Poet, Poetry, Purcell: A New Understanding of the Collaborative Creative Process.
Estelle Murphy (2022) Poet, Poetry, Purcell: A New Understanding of the Collaborative Creative Process. [Oral Presentation], Society for Musicology in Ireland Annual Plenary Conference, University College Cork / Online , 24-JUN-22 - 26-JUN-22 [Details] |
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2019 | ‘“And Is There One Fanatique Left?”: Anticipating Absolutism in the Restoration Court Ode’.
Estelle Murphy (2019) ‘“And Is There One Fanatique Left?”: Anticipating Absolutism in the Restoration Court Ode’. [Oral Presentation], 17th Annual Plenary Conference of the Society for Musicology in Ireland, Maynooth University, Ireland , 28-JUN-19 - 30-JUN-19 [Details] |
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2018 | ‘Crossing Borders, Creating Identity: Cousser, Dubourg, and Irish Traditional Song’.
Estelle Murphy (2018) ‘Crossing Borders, Creating Identity: Cousser, Dubourg, and Irish Traditional Song’. [Oral Presentation], Biennial International Conference on Baroque Music, Pavia University, Cremona, Italy , 10-JUL-18 - 15-JUL-18 [Details] |
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2017 | ‘The Earliest Surviving Musical Odes for Dublin’.
Estelle Murphy (2017) ‘The Earliest Surviving Musical Odes for Dublin’. [Poster Presentation], Maynooth University Library, Faculty of Arts, Celtic Studies & Philosophy and SPCM Publications Festival, 2017, Maynooth University, Ireland , 24-JAN-17 - 24-JAN-17 [Details] |
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2017 | ‘Postfeminist Posthuman Performance: Reveiling Gender and Identity in Death Metal’.
Estelle Murphy (2017) ‘Postfeminist Posthuman Performance: Reveiling Gender and Identity in Death Metal’. [Oral Presentation], 15th Annual Plenary Conference of the Society for Musicology in Ireland, Queens University, Belfast , 16-JUN-17 - 18-JUN-17 [Details] |
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2016 | ‘”In the VICEROY, bless the KING!”: Self-Borrowing in Matthew Dubourg’s Dublin Odes’.
Estelle Murphy (2016) ‘”In the VICEROY, bless the KING!”: Self-Borrowing in Matthew Dubourg’s Dublin Odes’. [Oral Presentation], 14th Annual Plenary Conference of the Society for Musicology in Ireland, St Patrick's College, Dublin City University , 10-JUN-16 - 12-JUN-16 [Details] |
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2016 | ‘”In the VICEROY, bless the KING!”: Reuse and Revision in Matthew Dubourg’s Dublin Odes’.
Estelle Murphy (2016) ‘”In the VICEROY, bless the KING!”: Reuse and Revision in Matthew Dubourg’s Dublin Odes’. [Oral Presentation], 17th Biennial International Conference on Baroque Music, Canterbury Christ Church University , 13-JUL-16 - 17-JUL-16 [Details] |
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2016 | 'The Future of Research into Scribal Hands'.
Fiona Smith, Donald Burrows, Rebecca Herissone, Alan Howard, Estelle Murphy, Andrew Woolley (2016) 'The Future of Research into Scribal Hands'. [Invited Oral Presentation], 17th Biennial International Conference on Baroque Music, Canterbury Christ Church University , 13-JUL-16 - 15-JUL-16 [Details] |
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2015 | ‘The Musical Characterization of the Stage Irishman in the Early Eighteenth Century’.
Estelle Murphy (2015) ‘The Musical Characterization of the Stage Irishman in the Early Eighteenth Century’. [Oral Presentation], 13th Annual Plenary Conference of the Society for Musicology in Ireland, University College Cork , 12-JUN-15 - 14-JUN-15 [Details] |
Article
Year | Publication | |
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2018 | Meet death metal's new female growlers.
Estelle Murphy (2018) Meet death metal's new female growlers. Ireland: Article [Details] |
Invited Seminars
Year | Publication | |
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2022 | ‘Again the Welcome Morn We Sing’: Constructing a Skewed History of the Baroque Court Ode.
Estelle Murphy (2022) ‘Again the Welcome Morn We Sing’: Constructing a Skewed History of the Baroque Court Ode. Dublin: Invited Seminars [Details] |
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2020 | 'William Boyce’s Ode Manuscripts: Music, Marginalia, and Mapping.'.
Estelle Murphy (2020) 'William Boyce’s Ode Manuscripts: Music, Marginalia, and Mapping.'. Invited Seminars [Details] |
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2019 | 'Autographs and the Extramusical: The Manuscripts of William Boyce'.
Estelle Murphy (2019) 'Autographs and the Extramusical: The Manuscripts of William Boyce'. Invited Seminars [Details] |
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2019 | 'William Boyce and the Development of the Court Ode, 1750–79'.
Estelle Murphy (2019) 'William Boyce and the Development of the Court Ode, 1750–79'. Invited Seminars [Details] |
Honours and Awards
Year | Title | Awarding Body | |
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2022 | BSECS Bodleian Fellow | Bodleian Libraries & BSECS | |
2019 | Charlemont Grant | Royal Irish Academy |
Professional Associations
Association | Function | From / To | |
---|---|---|---|
Society for Musicology in Ireland | Ordinary Member | 01-JAN-05 / | |
American Musicological Society | Member | 01-JAN-21 / 31-DEC-22 | |
Journal of the Society for Musicology in Ireland | Chief Copy Editor, Editor | 01-AUG-19 / 01-AUG-23 | |
Brisitsh Society for Eighteenth-Century Studies | Member | 01-OCT-18 / | |
International Association for the Study of Popular Music | Ordinary Member | 01-JAN-13 / | |
Royal Musical Association | Ordinary Member | 01-JAN-09 / 31-DEC-16 |
Committees
Committee | Function | From / To | |
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Undergraduate Studies Committee | Secretary | 2014 / | |
Faculty Research Committee | Member | 2023 / | |
Journal for the Society of Musicology in Ireland | Chief Copy Editor | 2018 / | |
Campus Life Committee | Member | 2019 / | |
Green Campus Committee | Member | 2018 / | |
Faculty Appeals Committee | Alternate Member | 2016 / 2019 | |
Faculty Teaching and Learning Committee | Member | 2016 / 2019 |
Languages
Language | Reading | Writing | Speaking | |
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French | Functional | Basic | Functional | |
Irish/Gaeilge | Functional | Functional | Functional |
Outreach Activities
Description | |
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Recent Postgraduates
Graduation | Student Name | University | Degree | Thesis | |
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2021 | Cathal Twomey | Maynooth University | PhD | 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works |