Dr Antonio Cascelli

Biography
Research Interests
Books
Year | Publication | |
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2021 | Experiencing music and visual cultures: Threshold, intermediality, synchresis.
Cascelli A.;Condon D. (2021) Experiencing music and visual cultures: Threshold, intermediality, synchresis. [DOI] [Details] |
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2018 | Schenker's Chopin. Files from the Oster Collection.
Antonio Cascelli (2018) Schenker's Chopin. Files from the Oster Collection. Lucca: LIM. [Details] |
Peer Reviewed Journals
Year | Publication | |
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2020 | 'The experience of nature, time and lightness in Goffredo Petrassi's Laudes Creaturarum'
Antonio Cascelli (2020) 'The experience of nature, time and lightness in Goffredo Petrassi's Laudes Creaturarum'. Chigiana. Journal of Musicological Studies, 50 [Details] |
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2018 | 'L'ORFEO: MEMORY, RECOLLECTION, AND THE TRAGEDY OF CHOOSING BETWEEN SEEING AND HEARING'
Cascelli, A (2018) 'L'ORFEO: MEMORY, RECOLLECTION, AND THE TRAGEDY OF CHOOSING BETWEEN SEEING AND HEARING'. Philomusica, 17 :273-308 [Details] |
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2018 | 'L'Orfeo: Memory, Recollection, and the Tragedy of Choosing between Seeing and Hearing in Philomusica On-line, 17/1 (2018)'
Antonio Cascelli (2018) 'L'Orfeo: Memory, Recollection, and the Tragedy of Choosing between Seeing and Hearing in Philomusica On-line, 17/1 (2018)'. 17 (1) [full-text] [Details] |
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2017 | 'Place, Performance and Identity in Monteverdi's Combattimento di Tancredi e Clorinda'
Cascelli A. (2017) 'Place, Performance and Identity in Monteverdi's Combattimento di Tancredi e Clorinda'. Cambridge Opera Journal, 29 (2):152-188 [DOI] [full-text] [Details] |
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2007 | 'Analisi schenkeriana in prospettiva metaforica attraverso I Preludi no. 1, 2 , e 15, Op. 28 di Chopin'
Dr Antonio Cascelli (2007) 'Analisi schenkeriana in prospettiva metaforica attraverso I Preludi no. 1, 2 , e 15, Op. 28 di Chopin'. Studi Musicali, 1 :161-189 [full-text] [Details] |
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2005 | 'Noche Oscura: linguaggio della crisis, crisi del linguaggio'
Dr Antonio Cascelli (2005) 'Noche Oscura: linguaggio della crisis, crisi del linguaggio'. Nuova Rivista Musicale Italiana, 4 :506-516 [Details] |
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2003 | 'Heinrich Schenker, Chopin's Berceuse Op. 57, and the Rhetoric of Variations'
Dr Antonio Cascelli (2003) 'Heinrich Schenker, Chopin's Berceuse Op. 57, and the Rhetoric of Variations'. AD PARNASSUM, II :51-79 [Details] |
Edited Books
Year | Publication | |
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2021 | Experiencing Music and Visual Culture: Threshold, Intermediality, and Synchresis
Antonio Cascelli and Denis Condon (Ed.). (2021) Experiencing Music and Visual Culture: Threshold, Intermediality, and Synchresis London: Routledge. [Details] |
Book Chapters
Year | Publication | |
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2021 | 'Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana'
Cascelli A. (2021) 'Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana' In: Experiencing Music and Visual Cultures: Threshold, Intermediality, Synchresis. [Details] |
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2022 | 'Il Figino and the Paragone. Music and its Theatrical Connotations between Words and Images'
Antonio Cascelli (2022) 'Il Figino and the Paragone. Music and its Theatrical Connotations between Words and Images' In: Music and Visual Culture in Renaissance italy. London and New York: Routledge. [Details] |
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2021 | 'The Analogy of the Nude'
Antonio Cascelli (2021) 'The Analogy of the Nude' In: Vincenzo Borgetti, Tim Shephard (eds). Museum of renaissance Music. Turnhout: Brepols. [Details] |
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2021 | 'Tasso and the Spectatorial Gaze: from energia to music'
Antonio Cascelli (2021) 'Tasso and the Spectatorial Gaze: from energia to music' In: Philippe Canguilhem, Emiliano Ricciardi, Philippe Vendrix (eds). Qual musico gentil”: New Perspectives on Torquato Tasso and Early Modern Music. Turnhout: Brepols. [Details] |
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2021 | 'Armonia, Seeing and Hearing in Paolo Veronese's The Wedding at Cana'
Antonio Cascelli (2021) 'Armonia, Seeing and Hearing in Paolo Veronese's The Wedding at Cana' In: Experiencing Music and Visual Culture: Threshold, Intermediality, and Synchresis. London: Routledge. [Details] |
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2014 | 'Temporality in Chopin's Prelude Op. 28, No. 5'
Dr Antonio Cascelli (2014) 'Temporality in Chopin's Prelude Op. 28, No. 5' In: Irish Music Analysis (Irish Music Studies, No. 11). Dublin: Four Courts Press. [Details] |
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2014 | 'Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna'
Dr Antonio Cascelli (2014) 'Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna' In: The Routledge Companion to Music and Visual Culture. New York and London: Routledge. [Details] |
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2013 | 'Chopin's Music in the Development of Schenker's Analytical Thought'
Dr Antonio Cascelli (2013) 'Chopin's Music in the Development of Schenker's Analytical Thought' In: Essays from the Fourth International Schenker Symposium Volume 2. Hildesheim, Zurich, New York: Georg Olms Verlag. [Details] |
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2012 | 'Busoni and Chopin: the 'junge Klassizität''
Dr Antonio Cascelli (2012) 'Busoni and Chopin: the 'junge Klassizität'' In: After Chopin. The Influence of Chopins' Music on European Composers up to the First World War. Warsaw: Narodowy Instytut Fryderyka Chopina. [Details] |
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2017 | 'A Prelude as Postlude: A look at Schenker's graph of the last Movement of the Sonata Op. 35'
Dr Antonio Cascelli (2017) 'A Prelude as Postlude: A look at Schenker's graph of the last Movement of the Sonata Op. 35' In: Chopin 1810-2010 : Ideas, Interpretations, Influence. Warsaw: Narodowy Instytut Fryderyka Chopina. [Details] |
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2008 | 'Chopin as salon composer: Schenker's reception of Chopin'
Dr Antonio Cascelli (2008) 'Chopin as salon composer: Schenker's reception of Chopin' In: Chopin's Musical Worlds - The 1840s. Warsaw: Narodowy Instytut Fryderyka Chopina. [Details] |
Conference Contributions
Year | Publication | |
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2019 | Il Figino and the Paragone.
Antonio Cascelli (2019) Il Figino and the Paragone. [Oral Presentation], Music and Visual Culture in Renaissance Italy, University of Sheffield, UK [Details] |
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2018 | Invited speaker for a three-day seminar on Heinrich Schenker and Chopin.
Antonio Cascelli (2018) Invited speaker for a three-day seminar on Heinrich Schenker and Chopin. [Oral Presentation], Heinrich Schenker and Chopin, Trento (Italy) - Conservatorio F. A. Bonporti [Details] |
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2018 | Invited discussant in response to Prof. Sanguinetti keynote presentation on the analysis of Giuseppe Verdi' operatic music.
Antonio Cascelli (2018) Invited discussant in response to Prof. Sanguinetti keynote presentation on the analysis of Giuseppe Verdi' operatic music. [Oral Presentation], Analisi della musica operistica di Verdi, Institute of Verdian Studies - Parma (Italy) [Details] |
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2017 | Monteverdi's l' Orfeo and the madrigal tradition.
Antonio Cascelli (2017) Monteverdi's l' Orfeo and the madrigal tradition. [Oral Presentation], Medieval and Renaissance Music Conference, Prague [Details] |
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2017 | A paper on 'Orfeo and the madrigal tradition: between seeing and hearing'.
Antonio Cascelli (2017) A paper on 'Orfeo and the madrigal tradition: between seeing and hearing'. [Oral Presentation], The Making of a genius: Claudio Monteverdi from Cremona to Mantua, Cremona and Mantua (Italy) [Details] |
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2016 | Armonia, seeing and hearing in Paolo Verone's The wedding at Cana.
Antonio Cascelli (2016) Armonia, seeing and hearing in Paolo Verone's The wedding at Cana. [Oral Presentation], Medieval and Renaissance Music Conference, University of Sheffield, UK [Details] |
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2015 | In search of musical affects: Barbaro's translation of Vitruvio's De Architectura and Ercole Bottrigari's La Mascara.
Antonio Cascelli (2015) In search of musical affects: Barbaro's translation of Vitruvio's De Architectura and Ercole Bottrigari's La Mascara. [Oral Presentation], Medieval and Renaissance Music Conference, Brussels [Details] |
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2014 | Annual Conference of the Renaissance of Soceity of America.
(2014) Annual Conference of the Renaissance of Soceity of America. [Oral Presentation], Dissonance as metaphor in L'ottuso's Nuova Pratica and the audience for the emerging operatic genre, New York [Details] |
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2013 | Medieval Renaissance Conference.
(2013) Medieval Renaissance Conference. [Oral Presentation], Metaphor as experience: an example from Galilei's Il dialogo della Musica Antica e della Moderna, Certaldo - Italy [Details] |
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2012 | Annual Conference of the Renaissance Society of America.
(2012) Annual Conference of the Renaissance Society of America. [Oral Presentation], Tremendum fascinosum and tremendum horrendum in music settings of Tasso's Combattimento di Tancredi, Washington D.C [Details] |
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2012 |
(2012) [Oral Presentation], Venice and Monteverdi's Combattimento di Tancredi e Clorinda, Royal Irish Academy of Music [Details] |
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2012 | 15th Biennial International Conference on Baroque Music.
(2012) 15th Biennial International Conference on Baroque Music. [Oral Presentation], Venice and Monteverdi's Combattimento di Tancredi e Clorinda, University of Southampton, UK [Details] |
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2012 | Medieval and Renaissance Music Conference.
(2012) Medieval and Renaissance Music Conference. [Oral Presentation], Era l'anima mia: a response to Cruda Amarilli and O Mirtillo, University of Nottingham, UK [Details] |
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2010 | III International Congress at the Chopin Institute.
(2010) III International Congress at the Chopin Institute. [Oral Presentation], A prelude as a Postlude; Schenker's analyis of the last movement of Chopin' Sonata Op. 35, Warsaw [Details] |
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2009 | Seminar in Analysis and Composition.
(2009) Seminar in Analysis and Composition. [Oral Presentation], Schenkerian Analysis: Linear Progression, Metaphor and Social Practice, UCD [Details] |
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2008 | VIII International Academic Conference Organised by the Chopin Institute in Poland.
(2008) VIII International Academic Conference Organised by the Chopin Institute in Poland. [Oral Presentation], Chopin and Busoni, Warsaw [Details] |
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2007 | Seventh International Academic Conference.
(2007) Seventh International Academic Conference. [Oral Presentation], Chopin as salon composer; Schenker's Interpretation of Chopin, Warsaw [Details] |
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2007 | 6th European Music Analysis Conference.
(2007) 6th European Music Analysis Conference. [Oral Presentation], Text, Music, Montage in Monteverdis madrigals Cruda Amarilli and O Mirtillo, Freiburg [Details] |
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2006 | Fourth International Schenker Symposium.
(2006) Fourth International Schenker Symposium. [Oral Presentation], Chopin's Music in the Development of Schenker's Analytical Thought, New York - Mannes College [Details] |
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2005 | Postgraduate Research Seminar.
(2005) Postgraduate Research Seminar. [Oral Presentation], Analisi: metafor e interpretazione in prospettiva schenkeriana, University of Tor Vergata - Rome [Details] |
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2005 | International Conference on Music Analysis.
(2005) International Conference on Music Analysis. [Oral Presentation], Flexible Urlinien: a reading of Schenker's graph for the last movement of CHopin's Sonata Op. 35, Dublin - UCD [Details] |
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2004 | Convegno Internazionale di Studi. Petrassi. L'Arte, il Tempo, le Idee.
(2004) Convegno Internazionale di Studi. Petrassi. L'Arte, il Tempo, le Idee. [Oral Presentation], Noche Oscura: Linguaggio della crisis, crisi del linguaggio, Rome - Accademia Nazionale di Santa Cecilia [Details] |
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2004 | 13th International Conference on Nineteenth-Century Music.
(2004) 13th International Conference on Nineteenth-Century Music. [Oral Presentation], Schenker and the inclusion of CHopin among the canon of German composers, University of Durham. UK [Details] |
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2004 | Research Seminar.
(2004) Research Seminar. [Oral Presentation], Schenker and the construction of Chopin as German composer, University of Southampton, UK [Details] |
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2003 | Music Analysis Conference.
(2003) Music Analysis Conference. [Oral Presentation], Metaphor and Synthesis in Schenker's analysis of CHopin's Scherzo OP. 31, Hull University, UK [Details] |
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2002 | VI Colloquio di Musicologia del Saggiatore Musicale.
(2002) VI Colloquio di Musicologia del Saggiatore Musicale. [Public presentations], Heinrich Schenker e lo Scherzo Op. 31 di Chopin, University of Bologna, Italy [Details] |
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2002 | Research Seminar - Department of Architecture.
(2002) Research Seminar - Department of Architecture. [Public presentations], La bascuta del melodramma e lo sviluppo dello spazio teatrale, University of Rome La Sapienza [Details] |
Book Review
Year | Publication | |
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2019 | Chopin and his world, Edited by Jonathan D. Bellman and Halina Goldberg. Princeton and Oxford: Princeton University Press, 2017 in The Chopin Review 2.
Antonio Cascelli (2019) Chopin and his world, Edited by Jonathan D. Bellman and Halina Goldberg. Princeton and Oxford: Princeton University Press, 2017 in The Chopin Review 2. Book Review [Details] |
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2014 | Chopin and his Critics: An Anthology (Up to World War I).
Cascelli, A (2014) Chopin and his Critics: An Anthology (Up to World War I). NEW YORK: Book Review [DOI] [Details] |
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2013 | Mauro Calcagno, From Madrigal to opera: Monteverdi's Staging of the Self (Berkeley and Los Angeles: University of California Press, 2012).
Dr Antonio Cascelli (2013) Mauro Calcagno, From Madrigal to opera: Monteverdi's Staging of the Self (Berkeley and Los Angeles: University of California Press, 2012). Book Review [Details] |
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2009 | SchenkerGuide: A Brief Handbook and a Website for Schenkerian Analysis.
Cascelli, A (2009) SchenkerGuide: A Brief Handbook and a Website for Schenkerian Analysis. MALDEN: Book Review [DOI] [Details] |
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2009 | Tom Pankhurst, Schenker Guide. A brief Handbook and Website for Schenkerian Analysis (New York and Londond: Routledge, 2008).
Dr Antonio Cascelli (2009) Tom Pankhurst, Schenker Guide. A brief Handbook and Website for Schenkerian Analysis (New York and Londond: Routledge, 2008). Book Review [Details] |
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2009 | Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007).
Cascelli, Antonio (2009) Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007). Book Review [DOI] [Details] |
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2007 | Claudio Monteverdi, Il ritorno d'Ulisse in patria, ed. Alan Curtis (London: Novello, 2002).
Dr Antonio Cascelli (2007) Claudio Monteverdi, Il ritorno d'Ulisse in patria, ed. Alan Curtis (London: Novello, 2002). Book Review [Details] |
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2006 | Fryderyl Chopin , The Complete Chopin - A new Critical Edition, Preludes Op. 28, Op. 45, ed. Jean AJacques Eigeldinger (Londond, Frankfurt, Leipzig, New York: Edition Peters, EP7532).
Dr Antonio Cascelli (2006) Fryderyl Chopin , The Complete Chopin - A new Critical Edition, Preludes Op. 28, Op. 45, ed. Jean AJacques Eigeldinger (Londond, Frankfurt, Leipzig, New York: Edition Peters, EP7532). Book Review [Details] |
Editorial
Year | Publication | |
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2021 | Introduction.
Cascelli A.;Condon D. (2021) Introduction. Editorial [Details] |
Reviews
Year | Publication | |
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2017 | Monteverdi and the parola scenica in performance.
Antonio Cascelli (2017) Monteverdi and the parola scenica in performance. Reviews [Details] |
Thesis
Year | Publication | |
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1999 | Dissertation on Claudio Monteverdi.
Cascelli, A. (1999) Dissertation on Claudio Monteverdi. University of Southampton: Thesis [Details] |
Conference Hosted
Year | Publication | |
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2016 | Music and Visual Cultures.
Antonio Cascelli (2016) Music and Visual Cultures. Conference Hosted [Details] |
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2018 | Medieval and Renaissance Music Conference.
Antonio Cascelli (2018) Medieval and Renaissance Music Conference. Conference Hosted [Details] |
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2013 | Claudio Monteverdi's Combattimento di tancredi e Clorinda.
Music Department (2013) Claudio Monteverdi's Combattimento di tancredi e Clorinda. Conference Hosted [Details] |
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2010 | Chopin's Symposium.
Music Department (2010) Chopin's Symposium. Conference Hosted [Details] |
Online Multimedia
Year | Publication | |
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2019 | What opera tells us about the issues of the day’.
Antonio Cascelli (2019) What opera tells us about the issues of the day’. Online Multimedia [Details] |
Other
Year | Publication | |
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2010 | Chopin e la Francia.
Dr Antonio Cascelli (2010) Chopin e la Francia. Other [Details] |
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2008 | The Fitzwilliam Virginal Book.
Dr Antonio Cascelli (2008) The Fitzwilliam Virginal Book. Other [Details] |
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2007 | Schenker e dintorni.
Dr Antonio Cascelli (2007) Schenker e dintorni. Other [Details] |
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2007 | The English Art Song.
Dr Antonio Cascelli (2007) The English Art Song. Other [Details] |
Honours and Awards
Year | Title | Awarding Body | |
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2015 | Publication Grant | Maynooth University | |
2015 | Publication Grant | National University of Ireland | |
2014 | Visiting Researcher | Institute of Musical Research - University of London | |
2001 | Research Grant | Music Analysis | |
2001 | Research Grant | University of Southampton | |
2000 | PhD Scholarship | AHRB | |
1999 | Southampton University MA Scholarship | Southampton University |
Professional Associations
Association | Function | From / To | |
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Society for Musicology in Ireland | Member | 01-JAN-09 / | |
Chigiana. Journal of Musicological Studies | Associate Editor | 01-NOV-19 / | |
Irish Humanities Alliance | Board Member | 01-JAN-15 / | |
GATM - Gruppo di Analisi e Teoria Musicale | Board Member | 01-JAN-12 / 30-JUN-18 | |
RATM - Rivista di Analisi e teoria Musicale | Vice-director | 01-JAN-11 / 30-JUN-17 |
Committees
Committee | Function | From / To | |
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Medieval and Renaissance Music Conference | Chair | 2018 / 2018 | |
Music and Visual Culture Conference | Chair | 2016 / 2016 | |
Research Cluster - Performance, Practice, Interactivity | Convenor | 2013 / | |
Euromac - VII European Music Analysis Conference Rome | Board Member | 2011 / 2011 |
Education
Year | Institution | Qualification | Subject | |
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2005 | University of Southampton | Postgraduate Certificate | Academic Practice and Teaching | |
2004 | University of Southampton | PhD | Music Analysis and Musicology | |
1999 | University of Southamtpon | Master of Arts | Musicology | |
1997 | Università La Sapienza (Rome) | Laurea in Lettere e Filosopfia - Degree in Literature/Philosophy | Literature and Philosophy | |
1990 | Conservatoire of Music (Salerno, IT) | Piano Diploma | Piano |
Employment
Employer | Position | From / To | |
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University of Hull - UK | Lecturer in Music | 01-SEP-07 / 30-JUN-08 | |
Institute of Musical Research - University of London | Tutor on 'Italian for Musicologists' | 11-DEC-07 / 13-DEC-07 | |
University of Southampton - UK | Teaching Fellow | 01-SEP-06 / 30-JUN-07 | |
Bryanston School - UK | Accompanist | 01-SEP-06 / 30-JUN-07 | |
University of Southampton - UK | Teaching assistant | 01-OCT-05 / 30-JUN-06 | |
University of Southampton - UK | Teaching Assistant | 01-OCT-04 / 30-JUN-05 |
Languages
Language | Reading | Writing | Speaking | |
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Italian | Fluent | Fluent | Fluent | |
English | Fluent | Fluent | Fluent | |
Latin | Basic | None | None | |
German | Basic | Basic | Basic |
Outreach Activities
Description | |
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Italian Institute of Culture - Dublin, 21 March 2019, World Poetry Day. Poetare e cantare sono sinonimi. |
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Opera Collective Ireland: Claudio Monteverdi's The return of Ulysses Pre-performance talk (September 2018) |
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Newstalk: Panelist on the 'Talking history' programme dedicated to tenor Luciano Pavarotti (May 2016) |
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Vatican Radio: programmes on various music topics (Schenker, English Art Songs, Fitzwilliam Virginal Book, Chopin. |
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Music Generation - Facilitated the formation of an orchestra including students from Maynooth University and primary/secondary schools from the Midlands |
Other Activities
Description | |
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Lunchtime Concert (Riverstown Hall - Maynooth University, 23 February 2017): Virginia Kerr - Soprano, Antonio Cascelli - Piano. Programme: Michael Tippet's "The Heart's Assurance" and the premiere of Ryan Molloy' "Death and the Post Office" (text by Martin Dyar) |
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Concert (Castletown House - Celbridge, 28 August 2015): Virginia Kerr - Soprano, Antonio Cascelli - Piano. |
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Annual Choral Society Concert, Maynooth University (20 March 2015) Antonio Cascelli - Piano. Programme: Gioachino Rossini's "Petite messe solennelle". |
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Lunchtime Concert (Riverstown Hall, Maynooth University, 12 February 2015): Virginia Kerr - Soprano, Antonio Cascelli - Piano. Programme: Francis Poulenc's "Fiançailles pour rire" |
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Concert at Castletown House - Celbridge, 27 October 2014 Francesca Placanica - Soprano, Antonio Cascelli - Piano |
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Lunchtime Concert (Riverstown Hall, Maynooth University- 10 October 2013). Niam Murray - Soprano, Antonio Cascelli - Piano. Programme: Schubert's "Winterreise" |
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Lunchtime Concert (St'Ann's Church, Dublin, 16 May 2013): Niamh Murray - Soprano, Antonio Cascelli - Piano. Schubert's "Winterreise" |
Recent Postgraduates
Graduation | Student Name | University | Degree | Thesis | |
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2018 | Jennifer Halton | Maynooth University | PhD | Mapping the (cine)Metropolis: Redefining Festival in Early Modern Florence | |
2018 | Candida Mantica | Maynooth University | Postdoctoral Research Fellow | “Gaetano Donizetti’s école-mosaïque” |