Dr Laura Watson

Music

Lecturer

Logic House
136
(01) 7086717

Biography

I am Lecturer in Music and Director of the MA Musicology at Maynooth University.

I am a musicologist working on early twentieth-century French art music, women in twentieth-century and contemporary music, and popular-music/rock histories.

Popular-music memoirs / rock memoirs
My newest project is a study of popular-music memoirs, with invited talks (UCD, Dublin 2018) and conference presentations across Ireland (SMI, Belfast 2017; SMI, Dublin 2016), Germany (IASPM, Kassel, July 2017), the UK (RMA, Liverpool, September 2017), and the USA (AMS, Rochester NY, November 2017) arising from this research. 

Dukas / French music
I am completing a monograph on the French composer and critic Paul Dukas, and coediting an essay collection on his legacy. In 2015 I chaired the international conference Music, Intertextuality, and Inter-Art Forms in Third Republic France: Remembering Paul Dukas at 150 at Maynooth. Previously I edited Dukas's early criticism for the Francophone Music Criticism Digital Repository (http://music.sas.ac.uk/fmc/collections). Recent peer-reviewed publications include 'Ireland in the Musical Imagination of Third Republic France' in France and Ireland: Notes and Narratives (2015). 

Women in music
* 'Epitaph for a Musician: Rhoda Coghill as Pianist, Composer, and Poet' in the Journal of the Society for Musicology in Ireland (2016)
* 'Rhoda Coghill and Gender Politics,' forthcoming chapter in Irish Musical Studies edited volume
* Public engagement work on women and music in contemporary Ireland

Public engagement / outreach
* Elected Education Development Officer for Sounding the Feminists Working Group (2017)
* Invited panellist at Royal Irish Academy of Music's Saluting the Feminists event (March 2017)
* Articles/reviews in the online magazine Journal of Music
* Contributor to RTÉ Lyric FM Women of Note series

Professional activity
* Elected to the 2015 - 18 Council of the Society for Musicology in Ireland; chair of SMI Grants Committee
* IASPM UK & Ireland Representative on International Advisory Board of IASPM@Journal

Research Interests

France, 1870 - 1940, Paul Dukas; historical and critical approaches to popular music, especially rock memoirs; the role and representation of women in twentieth-century art music and popular music.

Book Chapters

  Year Publication
2015 'Ireland in the Musical Imagination of Third Republic France'
Dr Laura Watson (2015) 'Ireland in the Musical Imagination of Third Republic France' In: France and Ireland: Notes and Narratives. Bern: Peter Lang. [IR Link] [Details]

Peer Reviewed Journals

  Year Publication
2016 'Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet'
Dr Laura Watson (2016) 'Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet'. Journal of the Society for Musicology in Ireland, 11 [IR Link] [Details]
2010 'Dukas's Victory: a Cultural and Political Reading of a Post-WW1 Manuscript'
Watson, Laura (2010) 'Dukas's Victory: a Cultural and Political Reading of a Post-WW1 Manuscript'. MUSICAL TIMES, 1 [IR Link] [Details]

Other Journals

  Year Publication
2015 'Sexism and the Leaving Cert. Music Syllabus'
Dr Laura Watson (2015) 'Sexism and the Leaving Cert. Music Syllabus' Journal of Music, . [IR Link] [Details]

Conference Contributions

  Year Publication
2016 Annual Conference of the Society for Musicology in Ireland.
Laura Watson (2016) Annual Conference of the Society for Musicology in Ireland. [Oral Presentation], Rock Memoirs, Artistry, and Textuality, St Patrick's College, Dublin City University [Details]
2014 Association of Franco-Irish Studies: Tenth Annual Conference.
(2014) Association of Franco-Irish Studies: Tenth Annual Conference. [Oral Presentation], Imagining Ireland in French Music of the Third Republic, National Concert Hall, Dublin [Details]
2014 Women and Music in Ireland Conference.
(2014) Women and Music in Ireland Conference. [Oral Presentation], Rhoda Coghill as Composer and Irish Cultural Politics, St Patrick's College, Drumcondra, Dublin [Details]
2014
(2014) [Oral Presentation], The New Woman in Belle Epoque French Opera and Ballet, Queen's University Belfast [Details]
2013 Eighth International Biennial Conference on Music Since 1900.
(2013) Eighth International Biennial Conference on Music Since 1900. [Oral Presentation], Rhoda Coghill as Composer: A Reassessment of an Irish Musician, Liverpool Hope University [Details]
2013 Annual Meeting of the Francophone Music Criticism Network.
(2013) Annual Meeting of the Francophone Music Criticism Network. [Oral Presentation], Hearing through Dance: Natasha Trouhanova and the Reception of Dukas's 'La Péri', Paris (BCVP) [Details]
2012 Annual Conference of the Society for Musicology in Ireland.
(2012) Annual Conference of the Society for Musicology in Ireland. [Oral Presentation], The nouvelle femme in Early Twentieth-Century French Opera and Ballet, Dundalk (DkIT) [Details]
2011 Annual Meeting of the American Musicological Society.
(2011) Annual Meeting of the American Musicological Society. [Oral Presentation], Paul Dukas's 'Le Sang de Méduse': the Rediscovery of a Lost Scenario, San Francisco, USA [Details]
2011 Annual Conference of the Society for Musicology in Ireland.
(2011) Annual Conference of the Society for Musicology in Ireland. [Oral Presentation], Representations of Identity at the Paris Opéra and Opéra-Comique in the 1920s, Dublin (RIAM) [Details]
2010 Conflict, Memory and Memorialisation: War and European Culture in the Twentieth Century.
(2010) Conflict, Memory and Memorialisation: War and European Culture in the Twentieth Century. [Oral Presentation], Re-Imagining the Conflict: Catholicism, Jewishness and French Opera in the 1920s, Liverpool Hope University [Details]
2009 Francophone Music Criticism Network Meeting.
(2009) Francophone Music Criticism Network Meeting. [Oral Presentation], 'Dukas, the Music Press and Critical Integrity, Montréal (McGill University) [Details]
2009 Royal Musical Association Symposium.
(2009) Royal Musical Association Symposium. [Oral Presentation], Reconciling Past and Future after WW1: a Case Study of a Dukas Scenario, Lancaster University [Details]
2009 Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association.
(2009) Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association. [Oral Presentation], Reconsidering the Place of Irish Women Composers in the Early Twentieth Century, Dublin (RIAM) [Details]
2008 Seminar Series, Music Department.
(2008) Seminar Series, Music Department. [Oral Presentation], In Search of La Route de la Gloire: Dukas's Sketches, Fragments and Plans for New Directions, NUI Maynooth [Details]
2008 15th Biennial Int. Confs. on 19th C Music.
(2008) 15th Biennial Int. Confs. on 19th C Music. [Oral Presentation], Russian Influence on French Programme Music in the 1890s: Unexplored Connections, Dublin (UCD) [Details]
2007 Conference of the Society for Musicology in Ireland.
(2007) Conference of the Society for Musicology in Ireland. [Oral Presentation], Paul Dukas's Polyeucte Overture: A Programmatic Template?, Dublin (DIT) [Details]
2006 Conference of the Society for Musicology in Ireland.
(2006) Conference of the Society for Musicology in Ireland. [Oral Presentation], Dukas and Goethe: The Programmatic Strategy of L'Apprenti Sorcier, Limerick (Mary Immaculate College) [Details]
2006 14th Biennial Conference on Nineteenth-Century Music.
(2006) 14th Biennial Conference on Nineteenth-Century Music. [Oral Presentation], L'Apprenti Sorcier as Discourse: Musical Manifestation of Dukas's Critical Aesthetics, University of Manchester [Details]
2005 International Conference on Music Analysis.
(2005) International Conference on Music Analysis. [Oral Presentation], Ariane et Barbe-Bleue as Manifestation of Dukas's Critical Theories, Dublin (UCD) [Details]
2004 Conference of the Society for Musicology in Ireland.
(2004) Conference of the Society for Musicology in Ireland. [Oral Presentation], Paul Dukas: Reconsidering the Silence of the Later Years, Belfast (Queen's University) [Details]

Book Review

  Year Publication
2015 O'Kelly: An Irish Musical Family in Nineteenth-Century France.
Watson, L (2015) O'Kelly: An Irish Musical Family in Nineteenth-Century France. EDINBURGH: Book Review [DOI] [Details]
2015 Review. Phyllis Weliver and Katharine Ellis: Words and Notes in the Long Nineteenth Century.
Dr Laura Watson (2015) Review. Phyllis Weliver and Katharine Ellis: Words and Notes in the Long Nineteenth Century. Book Review [DOI] [IR Link] [Details]
2015 Review. Axel Klein: O'Kelly - An Irish Musical Family in Nineteenth-Century France.
Dr Laura Watson (2015) Review. Axel Klein: O'Kelly - An Irish Musical Family in Nineteenth-Century France. Book Review [DOI] [IR Link] [Details]
2008 Review. Simon-Pierre Perret and Marie-Laure Ragot: Paul Dukas.
Dr Laura Watson (2008) Review. Simon-Pierre Perret and Marie-Laure Ragot: Paul Dukas. Book Review [IR Link] [Details]

Dictionary Entry

  Year Publication
2010 Various entries for the Encyclopaedia of Music in Ireland.
Watson, Laura (2010) Various entries for the Encyclopaedia of Music in Ireland. Dictionary Entry [Details]

Electronic Publication

  Year Publication
2011 Edition: Francophone Music Criticism Network, Collection 12, 'Paul Dukas: Writings (1892-1894)' (1893 edition).
Dr Laura Watson (2011) Edition: Francophone Music Criticism Network, Collection 12, 'Paul Dukas: Writings (1892-1894)' (1893 edition). Electronic Publication [Details]
2010 Edition: Francophone Music Criticism Network, Collection 12, 'Paul Dukas: Writings (1892-1894)' (1892 edition).
Watson, Laura (2010) Edition: Francophone Music Criticism Network, Collection 12, 'Paul Dukas: Writings (1892-1894)' (1892 edition). Electronic Publication [Details]

Magazine Article

  Year Publication
2011 Programme note (essay) for 2011 production of Paul Dukas's opera Ariane et Barbe-Bleue, at the Gran Teatre Liceu, Barcelona.
Dr Laura Watson (2011) Programme note (essay) for 2011 production of Paul Dukas's opera Ariane et Barbe-Bleue, at the Gran Teatre Liceu, Barcelona. Magazine Article [Details]

Thesis

  Year Publication
2008 Paul Dukas’s Music-Text Aesthetic: A Study of its Sources, Theory and Practice, 1891–1907.
Watson, L. (2008) Paul Dukas’s Music-Text Aesthetic: A Study of its Sources, Theory and Practice, 1891–1907. Trinity College Dublin: Thesis [Details]