I started in 1982 but I was so involved in the Drama Society that I didn't graduate until 1987. My class though would have been those who graduated in 1985.
Won the Guinness Literary Award twice, and was heavily involved in the Roscian Players (Drama Soc).
Then it was small and everyone knew everyone else.
Now I also lecture there and it retains its intimate atmosphere.
Group work and teamwork through the Drama Society.
Political refinement through Adult & Community Education where I honed my social skills and developed my concern for justice and equality work.
Be bold. Don't be passive in lectures. Take control of your own learning.
While I am a theatre-maker, I also lecture in the the field of theatre and learning (in Maynooth University and in DCU).
I am Artistic Director of Crooked House Theatre Company Ireland which I founded in 1993. I am a writer, director and drama facilitator. I have been a contributor to academic programmes at Maynooth University since 1989. These have been in the Department of Adult and Community Education, and the Department of Applied Social Studies. I also work with student nurses, using theatre as a tool for vocational and personal reflection, in DCU’s School of Nursing.
I am an arts consultant, and a trainer in education and youth arts, having worked in Ireland and abroad for over 20 years. I have developed and delivered training programmes in theatre-based methods of education and of development to a wide range of organisations and groups, and am responsible for the Ireland’s first undergraduate programme in Directing for Theatre.
I was producer of the annual Connections festival in Ireland for the National Theatre in London, and am founder of the Human Rights Youth Theatre Festival held every year in Newbridge from 2003 to 2009.
My recent work has been developing projects of work with communities in Kildare and in Dublin that use theatre methods as tools for promoting positive mental health, especially with the 17 to 37 age group.
My plays include work for non-theatre sites ('Pig House' made for a farm, 'Do Not Disturb' made for hotel bedrooms, and 'Stuck in Neutral' made for cars). Other plays include 'Bending Spoons', 'Waiting for Margot', 'Show jumping Barbie', 'Watching Julie Andrews', 'Our Lady of the Flowers', 'Faerie Liquid', 'H2O', and 'Seeing Red'.)
I travel a lot with shows to other countries; and present at conferences and to educational and political bodies (like the Dáil). I work with young people in a creative environment.
My role involves running Crooked House Theatre Company which is based in Newbridge, County Kildare. It runs a number of programmes for young people, notably Kildare Youth Theatre. While it is a professional theatre company staging new and international collaborations, Crooked House also offers a popular training programme uniquely developed for the Irish community, voluntary and education sectors. The programme uses theatre-based methods of working with groups to achieve social, personal and political development. The company’s work shares common aims and methodologies with that of Augusto Boal’s Theatre of the Oppressed. Crooked House has worked with most state, non-governmental, and educational agencies in Ireland since 1993.
It is endlessly rewarding. Being creative everyday and making theatre in many different contexts is an absolute pleasure. There is nothing like it.